My Brother's Madness is part thriller, part exploration that not only describes the causes, character, and journey of mental illness, but also makes sense of it. It is ultimately a story of our own humanity, and answers the question, Am I my brother's keeper?
In My Father’s Books, the first volume in Luan Starova’s multivolume Balkan Saga, he explores themes of history, displacement, and identity under three turbulent regimes—Ottoman, Fascist, and Stalinist—in the twentieth century. Weaving a story from the threads of his parents’ lives from 1926 to 1976, he offers a child’s-eye view of personal relationships in shifting political landscapes and an elegiac reminder of the enduring power of books to sustain a literate culture.
Through lyrical waves of memory, Starova reveals his family’s overlapping religious, linguistic, national, and cultural histories. His father left Constantinople as the Ottoman Empire collapsed, and the young family fled from Albania to Yugoslav Macedonia when Luan was a boy. His parents, cosmopolitan and well-traveled in their youth, and steeped in the cultures of both Orient and Occident, find themselves raising their children in yet another stagnant and repressive state. Against this backdrop, Starova remembers the protected spaces of his childhood—his mother’s walled garden, his father’s library, the cupboard holding the rarest and most precious of his father’s books. Preserving a lost heritage, these books also open up a world that seems wide, deep, and boundless.
“Lots of Romanians, in my day, dreamed of France; not many got there,” writes the author in his introduction. “Fortuitousness, contingency, and sheer good luck made me fall into France, just as one falls into love.” Fifty years after reaching France, by way of school in England, Eugen Weber presents a series of illuminations on the country he loves, and whose civilization he has made the center of his life's work as an interpreter of European history, subspecialty France.
My France focuses on some of the most intriguing aspects of French life: polities, myths, personalities, public problems, actions, conflicts. The topics Weber treats range from sports to religion, and include comments on folklore, peasant politicization, national socialism, the nature of the French right, antisemitism, and famous Frenchmen such as Pierre de Coubertin, Maurice Barres, and Marc Bloch. In every chapter he questions established assumptions, asks if things are quite as they are taken to be, and points out links between apparently unrelated doings (literature and private income, religion and superstition, fairy tales and everyday life). Every essay reflects his unique insight and is enlivened by his witty and graceful style, making My France irresistible not only to students of modern European history, but also to Francophiles and pundits of Europe everywhere.
In Myself and Strangers, John Graves, the highly regarded author of Goodbye to a River and other classic works, recalls the decade-long apprenticeship in which he found his voice as a writer. He recounts his wanderings from Texas to Mexico, New York, and Spain, where, like Hemingway, he hoped to find the material with which to write books that mattered. With characteristic honesty, Graves admits the false starts and dead ends that dogged much of his writing, along with the exhilaration he felt when the words finally flowed. He frankly describes both the pleasures and the restlessness of expatriate life in Europe after World War II—as well as his surprising discovery, when family obligations eventually called him home to Texas, that the years away had prepared him to embrace his native land as the fit subject matter for his writing. For anyone seeking the springs that fed John Graves' best-loved books, this memoir of apprenticeship will be genuinely rewarding.
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